White guilt month

As it’s now Anti-White History Month, for another week at least, it’s no surprise to read that there is a remake of Alex Haley’s Roots miniseries, originally aired in the late 1970s.

The original miniseries, from what I recall, had quite a large audience. In 1977 there was a large segment of the White population that had been softened up by a couple of decades of hectoring and shaming about ‘racism’, and it also helped Roots‘ ratings that many teachers and college professors required their students to watch the miniseries.
Remember, too, that many people did not have cable TV in that era, so the only choices available were the alphabet networks, all three of them, plus PBS and maybe a local independent channel. So most of the White TV audience (a majority still in those long-ago days) saw the series and if not, heard discussion of it at work or school.

I remember my sociology teacher, who was black and Afrocentric,  requiring us to watch it and discuss it. Back then political correctness had not yet ‘got our tongues’, so I remember some White students actually complaining that the series made all Whites look vicious, ignorant, and ugly. I remember our Sociology teacher telling us that the shoe needed to be on the other foot for a change, and that seemed to squelch any further criticism of the series’ anti-White tone.

Since I saw Roots back in those days, I’ve told many people that the “writer” Alex Haley was a plagiarist, and that the series was a propaganda piece, not history, but few people are able to accept that, at least not the usual brainwashed PC crowd — just as they are not able to process the heresy that a certain other black ‘icon’ was a plagiarist. They don’t want to entertain such blasphemous thoughts.

In recent years there has been a barrage of anti-White movies, among them that ‘Django’ movie. Aside: what’s the story with giving the character a gypsy name? Django Reinhardt, the famous gypsy guitarist has said his name was s gypsy name. The movie writers were ignoramuses; I guess ‘Django’ sounded cool to them and sounded ‘African’ so they went with it. Facts? Irrelevant. They always are with lefties.

Facts never matter in these propaganda pieces. The sad thing is that the audience (which seems to include a distressingly large percentage of the White population) seems not to care. They accept movies as gospel truth in most cases, and can’t be bothered to seek out the truth for themselves. Not that there are many history books around that tell the truth, anyway.

The fact that, thanks to decades of anti-White propaganda, we now have a population of politically-corrected (read: misinformed and stupid) anti-White Whites. That’s bad enough, but the tragedy of it is that blacks who believe the media lies about the past are now acting out in ways that are physically injurious to Whites. How many flash mob attacks, how many ”random” murders, rapes, and assorted other crimes have resulted, if only indirectly, due to the hate-Whitey propaganda coming out of Hollywood and TV and popular music — which has also carried its share of anti-White messages? However many there have been, it’s too many. And it was all avoidable. All predictable, and therefore 100 percent preventable. But obviously there are interests wishing to incite hatred (though they project hatred onto us) and to provoke violence. So they continue with their relentless warfare against us via their slickly-produced lies.

And when will it stop?

Another instance of this phenomenon is the book and later, movie, To Kill a Mockingbird. This book is now required reading for many high-schoolers, even in Christian schools, and probably is part of some home-schooling curricula, too. The author, or putative author, Harper Lee, recently died, and on social media like Tumblr, primarily the province of very young, very PC users, there has been so much hagiolatry, so much fawning, over Lee. (Incidentally, is Harper Lee any kin to the Lees of Virginia? I rather have hoped not, because she may be kin of mine.) The young and the witless venerate writers like her. Of course it is only the White young people, not the blacks, who idolize her.

It’s always said to be bad form to speak ill of the dead, so I will restrain myself; or maybe I will give her the benefit of the doubt: she may not have written To Kill a Mockingbird anyway. It’s been rumored for a long time that her lifelong friend Truman Capote actually wrote the book, or at least heavily contributed to it, and the fact that she never produced anything else in print except for the recent ‘prequel’ fueled that rumor. But whoever wrote it, there’s no doubt that it was a big contributor to White guilt. Even ”conservative” White women often say the book is their favorite. So ‘Mockingbird’ has done its part to create today’s anti-White, politically correct, racially-charged world, and yes, indirectly, to incite violence against Whites. Every little bit hurts.

And what is it with this particular kind of Southerner, Harper Lee and Truman Capote (and some other ‘literary’ Southrons) who seem to hate their own “roots” and their own folk? This is a problem that Southrons have to address. What does one call the White equivalent of an ‘Uncle Tom’? The older generations had a name for them that is too politically correct to utter.

Remember back in 2009 White Americans were subjected to a diatribe about how we were a ‘nation of cowards’ who refuse to dialogue on race? When have we ever been given a choice? Even in my sociology class, back in the late 70s, we were being silenced and told that our opinions did not count. We were told that it was our ‘turn’ to be slandered as we supposedly had it coming. Well, when will the score be evened? Our side is not being heard, and things get uglier and uglier, as the lies mount up to the heavens.

Boycott the lies, and answer them with the truth whenever possible. We can’t let only one side be heard forever.