The opposite of political correctness?

At TakiMag, Theodore Dalrymple — I mean (((Theodore Dalrymple))) offers some good points and clever turns of phrase in discussing political correctness. He describes it as a form of mass hysteria — which it does seem to be.  Then there’s this: “…the politically correct speak power to truth.

However, I felt as one of the commenters on the article said: this piece is an example of ‘bait-and-switch.’ It goes from being a scathing piece about PC to bemoaning and lambasting the responses to PC. The examples of rightist ‘hate speech’ which he cites,  are pretty over-the-top.

Did he cherry-pick those extreme examples, or are they more common than I realize?

I wouldn’t deny that some of the comments, ostensibly by ‘right-wing’ commenters online, can be callous, ugly, and sometimes objectionable even to many of us on the right. For example, I’ve seen comments over the years recommending that certain people be ‘incinerated’. I’ve seen comments from those ostensibly on the right  expressing approval over the rape or murder of certain people. I found this appalling. But these comments about ‘incineration’, rape, and murder were not directed at the traditional protected groups according to the PC hierarchy: they were directed at White people — but White people who are among the ‘out-groups’ for some on the right. The ‘incineration’ comment, for example, was directed at fat people  — and it was posted on that hotbed of ‘extremism’, Free Republic, of all places. Now, it may be that the comment or comments were later deleted by mods there, after all, the mods used to ban even mild posts perceived as ‘anti-Hispanic’ in the days before most people were so incensed about illegal immigration. The comments approving of rape and/or murder — by immigrants, actually, were in reference to baby boomers — who, according to many on the young right, deserve such a fate. However it appears that Dalrymple’s outrage about the ‘vile’ comments he cites was an outrage on behalf of minority groups/nonwhites. So who’s being politically correct?

Dalrymple should know that the left engages in worse rhetoric, or at least rhetoric equally bad, in reference to Whites/Christians/heterosexuals. One example of anti-White hatred on another blog was a social media post — Facebook, I think — calling for White women to be caught and killed before they produced more White babies. What’s that law about ‘equal and opposite reactions?’

All that aside, no one on the comment thread seems to question the authenticity of some of the over-the-top bloodthirsty comments Dalrymple gives. Considering what we know of the left, of their duplicity and dirty tactics — and the fact that they are known to employ online operatives to provoke, to derail and disrupt, and to deceive and slander, could it not be that the worst of those comments were written by lefties in order to direct anger at the right? The comments seemed almost to border on parody or caricature.

Whether or not some of the extremist sentiments are justifiable or understandable, it does seem that it’s counterproductive, at the least, to indulge in that kind of rhetoric. I don’t recommend being mealy-mouthed or so genteel as to be feeble in our self-expression, I think there’s a way to express strong sentiments without going beyond certain limits. Adopting the tactics of the left only escalates this trend of abandoning all discretion.

Who’s culpable?

It’s become wearisome to even post on a terror attack when they predictably happen. Don’t misunderstand me; I am not expressing indifference to the victims, or to the country, whichever European or White country, where the latest attack occurs.

If anything, I care too much about the victims, thinking of the waste of human life and potential, especially among our besieged folk, and about their families and all those who loved the victims. Lives will be forever changed. I heard from an acquaintance in New York, after 9/11, of a little girl, a classmate of my friend’s twins, who lost both parents on 9/11. That little girl would now be 22 or so. Surely her life was changed irrevocably.

No doubt what happens in Britain, where the bones of many generations of my ancestors are buried, troubles me especially. I understand that many Americans feel no particular kinship to people in Britain, and considering that so many Americans now lack any genetic connection to Britain, I suppose they can’t be blamed for that.

Kinship, blood ties matter, even in a country which conditions us all to ‘civic nationalism’, telling us that birth on American soil makes brothers of us all. Not true, and even less true in today’s Britain, as illustrated by this now-viral photo from London yesterday.aliennation

As they say, a picture is worth a thousand words. There’s a reason why that photo, of all those available, went viral.

Meanwhile, the smarmy heads-of-state, after an event like yesterday’s, mouth their usual platitudes about ‘unity’, ‘coming together’ ‘reaffirming our nation’s values’, (meaning openness to outsiders, however hostile they are, and coerced diversity). Theresa May and as the Moslem mayor of London both recited such statements, though the London mayor was brazen enough to tell the British people that they had better get used to this kind of thing; after all, it’s “part and parcel” of life in a big city now. As I recall some official in France said roughly the same thing after an attack there. Will the passive and docile citizens of Western countries continue to accept this phony, condescending rhetoric about ”our values” or about “diversity and unity” — which, by the way, are opposites, and contradictory? Or is the passivity and docility merely an outward show, hiding inner misgivings and resentments?

The most disgusting bit of rhetoric, which is even used by many on the nationalist right, is the now-hackneyed statement that ”immigrants/Moslems are not the problem, only symptoms; they are just pawns in a game being controlled by the real powers, so it’s useless to direct anger at these pawns. They aren’t our real enemy.” The more liberal variation on this ‘argument’ is employed by the churchian types, who think ‘hatred’ or even honest anger, is wrong; if we give in to it, we are just reacting and playing into the hands of the enemy. If we do that, then ‘They will have won.’ Supposedly by refusing to show fear or act defensively, we are winning. Right.

Trouble is, who are the architects of all this? The shadowy ‘elites’, the globalist overlords? We know a few names; everyone’s heard of Soros. For some people, Jews are the ultimate cause behind the scenes, and the people who hold this view are often those who claim that immigrants are not the real problem. For others, the powers-that-be are simply the global corporate movers and shakers, the mega-rich, who are transnationalists and cosmopolitans, with no allegiance to any nation or people, faithful only to their own greedy interests.

Many Christians say only ‘spiritual forces of wickedness’ are truly to blame; everyone else is a pawn.

But without knowing who, exactly, is behind all this, and who is calling the shots — as they keep themselves mostly concealed — how can we act at all? Do we need to know the ultimate cause in order to save ourselves? Is it not more important to take steps against the visible agents of evil? It seems to me that that’s the only thing we can do: to focus on the proximate cause, the obvious and immediate actors in all this.

And who are the known actors? Elected politicians, hand-picked by corrupt political machines, who seem to be puppets acting for the shadowy elites. Then there are the traitorous and malice-driven ‘progressives’, antifa types. The media,  who seem to be nothing but lie merchants and ideologues, hostile to the real people of the countries they inhabit. And the Others, the colonizers, interlopers (whether legally or illegally), people with generational grudges against us and our countries.

The problem is not the Others alone, but at the moment it’s they who are killing us and our kinsmen in other countries.

The picture above illustrates that they are not of us; not us, can never be part of us.

The London attacker was born in the UK, showing that being ‘native’ to Britain no longer means much, if one is of foreign blood and origin, and especially if Islam is factored in.

Celebrities and ‘change agents’

The recent death of another rock ‘legend’ is still being lamented on social media sites like Tumblr, even though most of the people there are not old enough to remember the latest deceased rocker.

He had something in common with other such rock celebrities who died during the last year or so: he was a rebel against conventional sexual morality. His criminal record, however,  is mostly swept under the rug in recent years, even before his death. And articles like that linked just above, from the ‘History’ channel, seem to downplay the seriousness of the allegations and to minimize Berry’s culpability. The racial aspect of it is highlighted by mentioning that an ”all-White jury” convicted him (of course Whitey is prejudiced and willing to convict a black man at every possible occasion) and the article defends him by saying his intentions were strictly honest and honorable. He ‘offered legitimate employment in his St. Louis nightclub‘ — but to a 14-year-old girl? Maybe she was ‘precocious’ as some euphemistically put it, but in what state can a 14-year-old legally work in a night club? And the laws were more strictly enforced in 1959.

This article from NPR’s website unabashedly blames the Mann Act itself, stating that it was expressly written to be used against people like black boxer Jack Johnson with his White (white?) mistress. The article also implies that the Mann Act was a response to what the biased writers call ‘hysteria’ over what was called ‘white slavery’, or the abduction of young women into prostitution in the early 20th century. The writers imply that many such women were not forced into that life, but were simply ‘sexually active young women’ whom society wished to punish for their ‘sexual freedom.’

The NPR writers attempt to revise history, implying that the attempt to curb prostitution was based on “hysteria.” In the last couple of years, I’ve read a great many books from older eras, books actually written then, not written by (post)modern writers and their tainted point of view, and yes, there was an ‘industry’ if you can call it that involving trapping young women, many of whom were rather sheltered and naive in those days, into a life of prostitution. ‘Inexperienced’ girls were most in demand and drew high prices. There were interstate rings of what would now be called ‘human trafficking’.  Hence the need for the Mann Act. Most of the reports indicated Jewish domination of these rings. Transporting of these girls extended across national borders too, with many girls and women sent across the Pacific to China and elsewhere, where Christian workers found many of them being held literally in cages or cells, disease-ridden and sometimes dying, after having been sold into that life. It is not fantasy or ‘hysteria.’

Now our jaded age thinks that such things are just a matter of personal choice; I’ve had many younger people tell me that prostitution is ‘just another job, a way to make good money’, and as Madonna famously said back in the 80s, ”It’s not exploitation if I’m in charge of it myself.” So prostitution can be ’empowering’ for feminists.

Madonna is another prime example of a celebrity who is serving the function of a ‘change agent’ by altering people’s ideas of what is acceptable, and by helping to subvert traditional morality. Some people, maybe most people, today say that sexual morality is up to the individual; whatever people choose, and/or do in private, has nothing to do with anyone else. But it does. We are social beings. Nobody exists in a vacuum. The consequences of people’s private behavior often affect society, not just the invididual(s) involved.

Celebrities of course have a much-amplified power to affect others’ choices, especially young and gullible people.

People like Madonna, and the recently-deceased David Bowie and Prince — and in his time, Chuck Berry, have had more influence than many like to think.

Michael Jackson, too, with his ‘androgynous’ persona desensitized us to certain behaviors. And celebrity alone enables such people to get away with much, as his story illustrated. People tend, these days, to have almost limitless capacity to overlook aberrant or downright immoral behavior from those that are called ‘talented’ or ‘geniuses’. Society theoretically condemns pedophilia but oddly it can be overlooked if the acccused is a popular public figure. Please notice, at the first link on this page, from a blog which is not at all PC, that the commenters, can only praise Berry.

In 1959, people were not so flexible in their morality and not so forgiving.

In time, though, it seems that Berry has been forgiven. If one wants to be forgiven of anything, it appears, the answer is to be ‘talented and famous.’

Meanwhile society suffers the consequences.

The ‘melting pot’ disproved?

There was an interesting comment (of many) on a thread at Vox Day’s blog. It addresses something I’ve thought about considerably, and the writer’s experience parallels my own, regarding ancestral lines and the ‘gaslighting’ that we are subjected to regarding American ancestry and thus American identity. I trust that the commenter, ‘Harris’ won’t object if I excerpt:

“I have been working on my genealogy lately, and I’ve discovered something about the lack of mixing with other races in my own bloodline. So far, in the 400 years since my family settled in North America from England, there are only 4 non-Anglo women that have married into the family (out of over 4500 currently in the extended family tree) and the female descendants of those 4 women have NEVER married a non-anglo male. Those 4 women were 1 Irish woman, 1 German, 1 Cherokee woman, and 1 Swiss woman.

[…]My point is that while nearly my entire family arrived in the first wave of settlers in Massachusetts & Virginia, there has been very little intermarrying with other Caucasian races, much less non-Caucasians. I’ve noticed that other races also tend to marry their own kind.
[…]
Just in my own family, you see the myth of the melting pot disproved. This indicates that the bloodline ties are more than just cosmetic. There is something subconscious about seeking your own. How has the West lost sight of this truth?

There has to have been a determined and conscious effort to undermine the cultural homogeneity of our western societies, and this can be traced back to Darwinism, the progressive movement of the late 19th century, and the emergence of a communist philosophy that sought to undermine the Christian foundations of our various Caucasian civilizations. This was purposeful, and we large did this to ourselves.”

First, just in passing, it’s of interest to me that the writer’s family tree seems to intersect with mine at some points (which is not that uncommon, with colonial-stock Americans), then the rest of his comment (which can be read here) points out what I have often said. Many people make the claim that ”we’re all mixed-up; there are no Americans who are not at least mixed ethnicity if not racially mixed.”  This just isn’t necessarily true, especially as you go back through the generations.  Some parts of the country, having had lots of immigration, were likely to see marriages across ethnic lines, though rarely interracially. Miscegenation was illegal most everywhere until the late 1960s, though the rules slightly differed from state to state. But many places, those with low immigration rates, rural areas especially, did not experience much marriage across ethnic lines. People too often tend to interpret things through their own personal reality and extrapolate that to the rest of America.

Some of the comments on the thread linked above scoffed, to some extent, at the value of genealogy, as being unreliable. It’s true that there is a lot of false or partially-false information on genealogy websites where people upload their own (often mistaken) data, and there is little cross-checking and validation being done. But that doesn’t mean all online data is untrustworthy. It does need scrutiny and verification. But now there is the additional resource of DNA testing — but as in our family’s case, it verified pretty much what our previous information indicated.

But the commenter’s assertion that there has been an effort to undermine the homogeneity of our people and nation is a very plausible one. I think a big part of that has been a conscious effort to foster the myth of the ‘melting pot’ (the term a creation of Israel Zangwill, by the way) and the idea that we are all hopelessly mixed. Why would those ideas be important to implant? Because it fosters resignation to the continuing effort to blend us all together — after all, we’re all ‘mongrels’ as I believe our former POTUS said. I believe this whole process probably was in the works longer than we have realized, and that the Ellis Island experiment was to accustom us to more and more disparate peoples and cultures, as just one stage of the plan to blend Americans into one amorphous “people” and culture, rootless and identity-less, except for our identity in a civic sense.

If Americans could only start to realize that we are not this non-nation “of no race and no culture” as we hear some voices insisting. There is something still to be preserved.

 

 

Dwindling and vanishing?

2017-03-14_231426

The above was a comment posted on Vox Day’s blog, in response to an earlier comment.

I seem to remember that in the earlier incarnation of this blog, someone took exception to the term ‘Vanishing American’, on the grounds that it was pessimistic or fatalistic. I certainly hope I haven’t given that impression in using that term. I chose it (as many people know) because it referenced not only our precarious status in our country of birth, and also as a reminder of what happened to those who were originally called ‘the vanishing American’, that is, American Indians. No doubt they haven’t vanished altogether, as so many lefties who want to lay a “genocide” charge against Whites imply, but they were outnumbered and marginalized and (to some extent) ‘lost’ by outmarrying.

In the earlier days of this blog I think I focused more on trying to remind our folk of  heritage and history, to try to revive a sense of knowing who we are, where we came from, and of the need for regaining confidence in ourselves in this dark age. I’ve gotten away from that somewhat, maybe sensing that the mood has shifted away from respecting tradition and the past.

So in using the term ‘vanishing’ I think the sense, on this blog, always was ‘vanishing — if if we don’t face up to our predicament and do everything possible to reverse it. There are so many doomsayers and defeatists online (and in real life, depending on where you are) that it’s absolutely self-destructive to give way to that thinking.

I have to say, honestly, I have more pessimistic moods in recent years than I did in 2006, and maybe I have grown more cynical but my aim is always to be cautiously optimistic. Pessimism is not helpful to anyone, including the pessimist.

The vanishing White vocal tradition

There’s been discussion about “cultural appropriation” on the part of White people, with the implication being that Whites “steal” from the culture of the vibrant enrichers — why? The insinuation, sometimes expressed openly, is that White people have no culture of their own, at least, not any worth mentioning. Whites, then, are compelled to steal from the ‘rich’ cultures and ways of the nonwhite peoples, or else they do so maliciously in order to take credit for it. This is just a variation of the Farrakhan-style Afrocentrism which says that Whites ‘stole’ all the African knowledge and learning, thus leaving them with none.

However, Whites are in fact ‘appropriating’ many aspects of black culture, such as the ongoing adoption of black slang (most of our new slang words and phrases seem to have black origins, going back some decades), via White youth culture, which is especially fond of adopting black fads and fashions.

Besides slang there is the example of the black singing style, which seems to have become near-universal amongst younger White pop singers. Examples are legion; I am sure some of you know of more examples than I do, given that I don’t watch TV or listen to radio except for a few stations. However we don’t have to be au courant with the latest pop music (rap, hip-hop, etc.) to look for illustrations. We could go back some decades, to people like Michael Bolton — yes, I know, it’s (((Michael Bolton))), or Taylor Dayne. Or let’s go back to the 1960s, with the Rolling Stones. I remember sort of cringing when listening to Mick Jagger’s ‘vocals’, on songs like ”You Can Make it If You Try‘, where he spoke some of the lyrics, emulating Gene Allison, the black singer who first had a hit with that song. Back then I was far from racially conscious, but Jagger’s style made me want to give him a news flash: that he was White, not black.

Recently a family member and I were talking about how all of today’s White pop singers seem to emulate the black ‘soul’ vocal style, which seems to center around ‘trilling’, bending the notes beyond all recognition, and veering far from the real melody of the song to ‘improvise.’ The emphasis is on exaggerated shows of emotion, with much groaning and moaning, and straining, as if in pain. Yes, I realize that’s part of the intention; it’s been known as ‘soul’ music at least since the 60s, and the claim was that only black people had this vaguely-defined quality called ‘soul’, because of their unique heritage of ‘slavery, Jim Crow’ and the rest, whereas White people are soulless as well as, well, colorless.

Unfortunately White people think they can acquire “soul” via their adulation for black people, it seems. Salvation, for White liberals, is not via grace (through faith in Jesus Christ), but via blacks. Cambria Will Not Yield uses the term worship in this context and it seems he’s not far off.

As it stands, it’s getting harder and harder to find a White singer, especially young White popular singer who does not mimic the black style. Julian Lee, via Counter Currents, wrote a very thorough piece about this trend, and being more versed in music than I am, he expressed it very well. If you are interested in music and White musical traditions it’s well worth reading.

Incidentally, in the piece by Julian Lee, check out the photo of Beyonce; it will take you back to the days when she was still black. It seems the cultural appropriation goes both ways, what with nonwhites ‘appropriating’ the White phenotype, with blonde hair weaves or dye jobs, and skin-bleaching, plus colored contacts.

One black tradition that’s been attempted by Whites is the strange practice of ‘scat-singing’ or more accurately, just ‘scatting.’ Ever since I was a child I found ‘scatting’ to be rather embarrassing when a White tries it. I recently learned I’m not the only one. On the quirky British comedy series, The Mighty Boosh, one of the characters has a strong reaction to ‘scatting’

Oh, scat! Out of all the aspects of jazz, scat has got to be the worst, the main offender.
– You don’t know what it is, do you?

– Not really, but when it comes on, I go red.

Let me demonstrate to you a little bit of the power of jazz scat singing.
Jooby-do-bop, voo-voo-voo-voo, va Bow-voo-doo-boo-boo, bap-a-doo-ju-ju, jooby-do-boo Do-do-do-do, ba! Ba-ba-bow, ju-ba-ba-bow

Oh, I’ve got to get away from you. You’re a freak.
I can feel myself going red.”

It also makes mego red‘. It’s just unseemly somehow. It’s the vocal equivalent of a White person in blackface. It sounds as silly as blackface looks.

Even country music, for a long time the lone bastion of White musicians and musical styles, is succumbing to the influence of blacks, and this is very much intentional on the part of the music moguls, I’m sure. Going back some years now, country musicians have performed songs promoting multiculturalism and universalism, and Brad Paisley, with such a song, unintentionally drew accusations of racism. Sorry, but I have to laugh. But even White country singers are adopting black styles of singing, including using black back-up singers. Can’t have a White style of music, now, can we? That would be racist.

Meanwhile, even ‘folk music’, which at times has been more artificial than grassroots in style, is succumbing, and no surprise, as many ‘folk’ or traditional musicians from Europe and this country are dedicated multiculturalists. This baffles me. Musicians like the Breton icon, Alan Stivell, apparently love the traditions of their folk — yet they incorporate ‘world music’, that is, Third world music, into their work. I just don’t see how loving something, supposedly preserving tradition, allows for adulterating it and blending it with utterly alien influences. We’ve all heard the cliche that ‘music is the universal language’, and it sounds good, but is it really true? I’ve listened to many styles of music from varied cultures, and they may all be interesting in their way. However many sound discordant and unpleasant to my ear, and the music which is from our Western European traditions resonates the best with me, and really speaks to my spirit. I think this is true of most people, if they were honest.

East or West, home is best. I believe the statement that music expresses the soul of a  people, and each people has a unique musical expression, not reproducible by outsiders. Outsiders may ape and mimic something that is not theirs, but the spirit is not there; others’ music is a foreign language and we can’t speak it without a telling ‘accent’ though we try.

Is there any hope of us recovering our own musical and especially vocal styles? I wonder. Not without some reclamation of our self-respect as a people.

 

Worth it?

The Anti-Gnostic posted a piece on the recent disturbing story about a teen-aged Hispanic girl who, having recently fallen into the company of MS-13 gang members, was murdered. No less than six juveniles and four adults appear to have been involved in the killing. All the names of the suspects are Hispanic, and it seems probable most were foreign-born. Whether they were illegal is irrelevant; they could just as easily be here legally, or some might be ‘anchor babies’, considered legal by some.

This story, though it’s the latest, is one of many, as MS-13 and its equivalents put down stakes all over this country — even in the small community where I live, which is not all that ”diverse and enriched” as yet. It’s sad for the families and sad for our country as we risk becoming inured to this process of assimilation towards Third World norms.

I just began wondering, though, suppose the liberals’ hoped-for scenario comes into being, and that we gradually become used to all this diversity, and we become a rainbow nation wherein we all ‘accept and celebrate our mutual differences.’ Granted, Whites will be a small minority amongst the rest, but what of it? Race is a social construct; we all bleed red, and this is a proposition nation, after all. The Salvadorean and other gang-bangers’ progeny will be just one more variety of Americans amongst the colorful mosaic. And on and on.

But a hundred years from now, will people shrug their shoulders and accept the presence of these violent gangs and their ways as just one small price to be paid for the rich pageant of ‘diversity’ — much as most Americans now think that the Mafia isn’t so bad; we’ve enjoyed lots of good movies, novels, and TV series about the Mafiosi (the Sopranos, the Godfather, etc.), and then there’s all the wonderful food and cultural enrichment. So the introduction into our country of the Black Hand Society, the Mafia, and in our day, the (((‘Russian mafia‘))) and so on are just part of the package. Really not so bad, if we keep a sense of perspective, right?

One appalling story after another of gang murders and various atrocities and it’s all old hat, yesterday’s news. We have a way of growing jaded and accepting of things which should never be thought of as acceptable. That’s probably what the powers-that-be are counting on.

 

Popular music and race

In a recent post I linked to Steve Sailer’s piece about the race card being played at the Grammy awards. The question was raised whether Whites should apologies for winning awards, with the implicit assumption being that the awards are ‘stolen’ from blacks, who are of course the rightful winners, or would be in a ‘colorblind’ society.

I’ve often pondered how it is that our popular music (and popular culture in general) is so dominated by blacks. Most people — even those who are somewhat racially aware — would defer to blacks by saying that blacks are just more talented at music, as they are supposedly in athletics. But the black ascendancy has black people accusing Whites of “cultural appropriation” when they emulate, even unconsciously, black styles.

Could we not say rightly that blacks have a kind of cultural hegemony in our society, in all Western societies, given their disproportionate numbers in entertainment and their pervasive influence on White performers and composers of music?

This is not a new thing. I came across an article in an old (dated 1927) article in an Argentine magazine, Cine-Mundial. The article was titled ‘Melanomania‘, a term that the writer, R. De Zayas Enriquez, apparently coined himself to describe the craze among White people for black entertainment. Maybe we should use that word; the ‘-mania’ suffix is apt, and it has become a more pronounced trend since the time that the article was written.

As we are in black history month, wherein many claims are made about blacks having invented just about everything, we are bound to hear that blacks invented, among other things, rock ‘n roll, a claim which is usually conceded by most Whites. Yet it could just as convincingly be argued that rock ‘n roll derives more from country music in the form of old-time string-band music, via what was called ‘rockabilly.’ Chuck Berry’s music shows more influence from White country/rockabilly than vice-versa. Does it matter who invented it? Rock ‘n roll is something I grew up with, as did most of us today, and I enjoy a lot of it, but it isn’t exactly our crowning cultural achievement. Still, the truth matters, and it does serve the cultural Marxist, anti-White agenda to claim that blacks are the source of all our popular musical genres, as does the writer of this following excerpt. The writer is Isaac Goldberg (are triple parentheses even necessary there?) in a book called Tin Pan Alley, from 1930. [NB: the language in the following is the author’s;  everyone was politically incorrect in 1930].

“Before the various types of jazz was the modern coon song; before the coon song was the minstrel show; before the minstrel show was the plantation melody and the spiritual. It is safe to say that without the Negro we should have had no Tin Pan Alley; or, if this sounds like exaggeration, certainly Tin Pan alley would have been a far less picturesque Melody Land than it is to-day.

Why has the coon song become so representative of our popular music? Why is it impossible to think of our street songs for long without encountering the influence — whether pseudo or real — of the black? Why, whether in the early days of the southland, or in the contemporary life of Gotham, is the rhythm, the lingo, the accent of the Negro so persistent?

The Negro is the symbol of our uninhibited expression, of our uninhibited action. He is our catharsis. He is the disguise behind which we may, for a releasing moment, rejoin that part of ourselves which we have sacrificed to civilization. He helps us to a double deliverance. What we dare not say, often we freely sing. Music, too, is an absolution. And what we would not dare to sing in our own plain speech we freely sing in the Negro dialect, or in terms of the black. The popular son, like an unseen Cyrano, provides love phrases for that speechless Christian, the Public. And the Negro, a black Cyrano, adds lust to passion.

Can this be one of the reasons why the American Anglo-Saxon has held aloof from the exploitation and particularly the creation of songs in the musical vernacular? Can it be only a coincidence that the three races who have contributed most to our popular song — the Negro, the Irish and the Jew — should be the familiar example of oppressed nationalities, credited with a fine intensity of inner life and with passions less bridled than those of the more conventional — not necessarily the more frigid — American Anglo-Saxon?”

We can see the politics showing through the writer’s statements involving ‘oppressed’ races, and his biases towards Anglo-Saxons.

I will explore this further in future posts, because it seems that the cultural revolution has been more insidious and more important than the gradualist political revolution.

 

 

Do winners have to apologize?

Steve Sailer asks, in discussing the recent Grammy awards, ‘Do all white award-winners have to apologize to black losers from now on?’

The short answer: yes.

Because isn’t this the story of our whole society in 2017? The unspoken requirement for the winners, the most successful, to apologize to those who come in second,  or third, or last? Isn’t that the whole essence of the relationship between blacks and Whites today, or in fact between all ‘victim minorities’ and Whites?

What is affirmative action, but an apology to blacks for our being more successful, and having been at the top of the heap?

And why do we so readily concede this to them? Is it a misguided generosity? Fear? Fear of what, public opinion?

The loser in a contest, unless he has the character to display good sportsmanship, often claims the winner ‘cheated’ him out of his rightful victory. The winner must have ‘played dirty’, and won by unfair means. This is the whole ‘White privilege’ scam. We have too readily conceded.

If we believe in the ‘equality’ pretense in which we are all made to take part, then we have to agree that it isn’t fair that we win more often and others lose. But those who haven’t bought the equality fairy-tale must at times admit to themselves that ‘the best man wins’ and yet – if we have some kind of innate edge, then it truly isn’t ‘fair’ that we win against weaker competition. That’s where the whole White guilt thing kicks in.

‘Dear Netflix’

I recently got an e-mail from Netflix, with a plaintive statement along the lines of ‘we miss you; won’t you come back?’

I ignored the e-mail, because I have no intention of renewing my subscription, and besides I told them the reasons for my cancellation when I cancelled some time ago.

Since that time, this controversy over the Netflix series ‘Dear White People’ has hit the news.

More than 250,000 ‘dislikes’ were registered for the Dear White People preview on Friday, just 24 hours after it was officially uploaded to YouTube.

But the true scale of the discontent could be much higher after claims the online broadcaster deleted both a million views and 100,000 accompanying negative comments.”

I haven’t seen previews or trailers for the series; the title alone tells me what I need to know. No major media outlet uses the phrase ‘White people’ in anything but a pejorative sense in these dark times. And all that I have read or heard about the series indicates that it is meant as yet another in an endless series of racial lectures from nonwhites to Whites. I’ve heard it all before, too many times, and I don’t partake of television or recent movies because they are all rife with such propaganda and arrogant moralizing.

So here is my ‘Dear Netflix’ response to their plea for my patronage:

Dear Netflix,

You don’t really want my business or my money or you would have heeded my explanations for cancelling my Netflix subscription. You, like other purveyors of ‘entertainment’, such as Amazon Video and Turner Classic Movies, have deliberately removed many classic older movies and TV series, and have increased the number of pornographic as well as other objectionable films.

The reason for your dropping of many older films while still offering other content with a very limited audience is likely political and racial, as the old films show modern audiences a world which was very unlike today’s dystopian world. In American films we get a glimpse of a world which some of us remember, and from today’s vantage point that world, while not perfect, was almost idyllic compared to what we see looking out our windows today — or looking at our TV screens at the dark and disturbing content and milieu of the 21st century.

And maybe it’s just coincidence that the world shown in the classic movies was mostly White. The ‘reel world’ we saw, contrary to the claims of leftist, multicult ideologues, did match to a great extent the real world. No, it was not a lie that people really did live wholesome lives in peaceful, tidy neighborhoods and towns. It was not false to show a world in which neighbors knew neighbors, and people looked out for each other. It was not whitewashing to show a world in which people lived safely in their neighborhoods, and in many cases did not have to lock their doors at night.

The powers-that-be, and their media outlets, are becoming more and more averse to showing today’s people the world of the past, lest people begin to question why things are not the same, and why today’s often-ugly world has come to exist in its place.

In a sense, the decision to make the older films scarce is a racial one; Whites are not to be shown in a good light; no, they are meant to serve as arch-villains or ignorant bigots as in favored old films like ‘To Kill a Mockingbird’ or ‘Guess Who’s Coming to Dinner’ or ‘Roots’ or any number of such politically correct propaganda pieces. Today’s films are even worse in their anti-White, past-hating tone. And it is that kind of content you are interested in foisting on your customers, culminating for the present in propaganda like ‘Dear White People.’

I have no intention of paying only to be subjected to your propaganda. I hope the cancellations increase and that Netflix, like all the other media outlets, meets its deserved end, that is, that it fails and disappears. I hope that the backlash to this series is a sign of a long-needed return of self-respect on the part of those “dear white people” to whom you condescend.

Sincerely,

An ex-customer